The thing to remember is that bass notes tend to sustain while kick hits come and go quickly. This sucks, because pro mixes rely on a the low end to be both tight and powerful. Since both the bass and kick are low end instruments, they tend to get in each other’s way. The classic Sidechain scenario is our deep kick and bass are fighting for space in the low end. We Sidechain because we want a plugin to listen to the Sidechain track, but respond on the track it’s inserted on. These tracks are all available for the Gate to listen and respond to. In this case the Gate has the option to listen to another track.Ĭlick on the menu, and you can see a list of all the inputs, tracks and busses in your project: How do you know if a plugin can Sidechain? Just look in the upper right-hand corner of the plugin window: Plugins are the key to connecting Sidechains. But what they do totally depends on the plugin you’re using to listen with. Sidechaining gives you the ability to let your tracks listen in on each other. Sidechaining gives your tracks a set of ears that listens to another track or instrument.īut how do you Sidechain in Logic Pro X? And when should you?Įasy! It’s all really a matter of what do you want to accomplish.

That’s what Sidechaining in Logic is all about. Wouldn’t it be great if your bass could hear that kick drum, and step to the side to let that kick really thud? But the bass just seems to steal that kick’s subby glory. Have you ever wished that your tracks could listen to each other?įor example, say you’ve got a killer kick drum that drops right at the perfect spot.

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